I can’t shy away from the feeling of disappointment with the
results of my last ballroom dance competition – the Capital Dancesport
Championships. Despite the fact that I danced pretty well – not only my
observation but also my teacher Yanna’s, I fell short in the results column when
competing with others who I judged were not as good dancers, as well as many others
who were clearly much better and more experienced dancers than myself. Clearly this dance comp was not filled with
beginners and even the early rounds of dancing in Bronze witnessed remarkably
experienced dancers with impressive style, technique and choreography. Very unusual for a moderate sized
competition.
I experienced a very strange convergence of emotion. I enjoyed the competition and talking to many
of the competitors, judges and organizers that I have not seen for at least
three years. Even though the first day of competition went from about noon to
10pm, I was able to somehow stay awake and progressively improve my dance
performance skills throughout the day and night. Adjusting to the knowledge that my multi-dance
events would land at night was no small feat, but it was less troublesome than I
expected given the reality. Perhaps not
ruminating about it helped me adjust quickly and a short nap between day and
night dancing rejuvenated my spirits and allowed for some time to reverse the
chronic ankle and knee ailments that seem to loom as a progressively
debilitating impairment in my life.
Truth be told, it wasn’t my ankle or knee that limited my dance
performance, it was my overall skills and the lack of dance competition
experience of the last three years that set me back. And perhaps this is justified. How would you like it if you competed every
month in a major competition and some dude who you have not seen for three
years enters a competition and beats the hell out of you? Perhaps the judges felt a twinge of this effect
in providing a preferential bias in their scoring. Perhaps not.
One thing that Yanna suggested was that my competitors,
regardless of how they looked, were consistent and predictable. To me they
looked uncomfortable and tentative. But
perhaps my dance performance might have been better overall, but not as
consistent as the others. One little hiccup
in your one minute performance is all that is needed to score you down low, and
navigating a busy dance floor provided ample opportunity for my performance to
fracture and stumble. The remedy for this is experience and more competitions
until navigating the dance floor in traffic becomes second nature.
I did endure one huge collision – not my fault – from a professional
male – who really collided with me resulting in a rather significant jolt. Interesting, that collision unfazed me as I was
able to continue my routine without any further drama. But then again, I seem to handle the big
catastrophes in my life better than the small ones – go figure!!!!
The next day, Latin was on the agenda and that was a short
day and kind of fun dancing Bronze. I even
beat one lady in the Bronze Three Dance Scholarship which gave me some hope and
a fleeting happy moment to savor.
The final day was international ballroom. As in Smooth, while my dancing progressively
improved in performance over the course of the day, my competition was just too
good to score any wins in the multi-dance events. A slightly younger age group of competitors
may have been part of the reason as either I was competing with those 65 and
older or those in my age group that were dancing at all levels including gold. And
of course, it is hard competing against the ladies, who were mostly skilled,
dedicated and experienced dancers riding on the wings of their stallion
professional dance teachers. Anyway,
they were clearly much better than me, and I was dancing at a reasonably high
level so I cannot make excuses that I just was having a bad day. They were just better!
How do I put this all together?
If it were not for the results, I would have had a great time
instead of a good time. I am not used to such a bad performance, and that
weighs heavily on my feeling of disappointment.
The good news is I did not feel out of place in this competition. The bad news is I received little positive
feedback in terms the results.
There were indeed a few who commented positively about my
dancing. One student wanted to come to
Hawaii because they were so impressed with Yanna’s dance teaching skills. A hand full of others made kind statements at
various times during the week about my performance which provided some solace.
Clearly, I did not overwhelm anyone, but neither did I embarrass myself in
front of some of the country’s best adult dancers.
The last dance of the competition for me was an
international foxtrot. I remember my feet getting progressively tired prompting
me to change into my practice shoes for the last few heats after consulting
with the organizer John DePalma and my teacher Yanna. During most of the heats, there were eight
competitors dancing on a fairly standard-sized dance floor. I did have more
than enough traffic to navigate and did not do so with flawless precision. But
on the last dance -for some reason there were fewer on the dancefloor and I saw
a clear path ahead of me, freeing me to concentrate on the mesmerizing melody
of the foxtrot and to relax my movements while holding a strong frame, to smile
with enjoyment and to travel the length of the dancefloor with ease. My
movements were not strained but fluid; I not only heard the music but felt the
music. I was not regurgitating a
choreography that I had practiced for the last few years. I was dancing
international foxtrot with my teacher. It was my best foxtrot of the evening. It
may have been my best dance of the competition. It felt great and when it was
over, I quietly celebrated it with Yanna as we walked off the floor. I felt that I had just won the Olympics!
Nevertheless, now several days have passed and the sum-total
of my experience at the Capital Dancesport Championships leaves me a little sad
and bewildered. I ask myself whether this last comp may be my last forever. Indeed,
I could not withstand another one or two competitions with similar results. At
the same time, I feel that I have not lost any of my skills despite not having competed
in the last three years. I also feel that if I wanted to, I have the skills to work
my way into competitive success with a lot of hard work, dedication, and diving
back into the competitive dance scene by competing in at least one competition
every other month.
Is this worth the time, effort and expense? It’s a lot of
work, it’s a lot of Celebrex which will not be good for me. I know once I begin to really focus, it will
consume my day and night with practice, lessons, training and cross
training. Competing will take away from
other activities that I enjoy and perhaps prevent me from entering another new
chapter in my life rather than revisiting one from the past.
I am disappointed but not disgusted. I did enjoy myself and my teacher didn’t hate
me in the end. I danced as well as three years ago for the most part, and in
some respects I think I did better than before….for sure not any worse.
Pretty good for someone who entered the seventh decade of
life with a few progressive physical ailments and pretty good for not having
competed for a prolonged period of time.
For this I must be happy. It
truly could have been much-----much worse.
And importantly, despite the results, I maintained a
positive spirit throughout, trying my best throughout the competition almost without
exception. I was not hard on myself (and neither was my teacher) and forgave
myself for any errors made, rather celebrating those dances done with skill and
precision rather than festering in the murky darkness of the stumbles and
bumbles and jumbles of those heats that were less than perfect.
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